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Tuesday, June 28, 2011
A Time to Bloom by Texas Abstract Contemporary Artist Filomena de Andrade Booth
Wednesday, June 15, 2011
Dinner at 8 - Abstract Modern Art Contemporary Painting by Texas Artist Filomena de Andrade Booth
Monday, June 6, 2011
Earth and Wind - Original Abstract Modern Painting by Texas Contemporary Artist Filomena de Andrade Booth
Monday, May 2, 2011
Dancing in the Light - Original Abstract Painting by Texas Artist Filomena Booth
Friday, April 22, 2011
Primavera Overture by Texas Abstract Artist Filomena de Andrade Booth
Monday, September 28, 2009
Bits and Pieces
I am so excited because I was able to create a video and post it on YouTube!! I know all you young whippersnappers are wondering what the big deal is all about but for someone my age, I think this is pretty amazing.
I've been busy experimenting with some newer techniques that I've been dying to play with. Over the years I've managed to collect all kinds of ephemera that I thought I could use in my art at some point. Well, I rummaged through bins in my studio closet and came up with interesting "bits and pieces", thus the title for this painting. I discovered that cardboard packing can be made to look like corrogated metal. I love the textural look, and feel, of this painting. After composing the piece and adhering the various materials to the canvas, I added more texture with acrylic gels and molding paste. By applying thin glazes of color and spattering water and/or alcohol, I was able to create interesting effects, always allowing the underpainting to show through.
I hope you'll check out this little video...the first of many, I hope. It was a lot of fun to make and a neat way to showcase a painting.
Visit my website to see my entire portfolio.
Sunday, August 9, 2009
Midnight Espresso
I admit this is a very strange title for this painting. Actually, I painted over another painting titled "Midnight Express". But being a little lazy, I decided to just change a couple of letters and give the painting a new name. The coffee colors in the painting somehow justified that for me.
This is a very textural painting. I started by slathering on thick layers of acrylic modeling paste and pressing various items into the wet medium to create texture. By sculpting the medium, I was able to establish the composition or "bones" of the painting. Once the canvas was dry, I started to apply the color layer by layer. Spattering with water before the paint set up revealed underlayers of color. As I continued to paint it reached the point of completion.
How do we know when a painting is finished? For me it's always been that point when any more work would not add to the finished product. Stepping back from the canvas usually reveals the moment to quit.
Midnight Espresso is available for sale through my website.





